Kairos can be quite depressive when observed independently from its magical realism aspects.
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With the release of every new episode of Beyond Evil, the show forces you to build an attachment with Lee Dong Shik’s (Shin Ha Kyun) pain and boy, is he in pain.
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The whole thing feels so contrived, so idealized and awkward, it’s almost laughable.
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The entire series touches on the hypocrisy of life: on the contradictions within Christianity, in our laws, and the traditions we hold dear.
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There are no distractions in Burning, nothing that would help to temper the undulation of panic and discomfort it animates.
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Everyone pretends to be something that they’re not in the series, especially Dory’s friends.
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