It’s incredibly gentle about animating the horror of losing your mind.
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The most grounding element of Minari is how it makes sense of hunger and a cry for security.
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For at least three episodes, unless you are familiar with the story of Wanda, it can be difficult to understand what is happening.
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For whatever reason, there seems to be a trend to create stories about convergent time lapses. We saw this with South Korean drama Kairos and now, Times parallels its story direction but, takes a twist on the larger theme about changing the past.
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In this series, there is no feeling of stress instead, it causes you to drift into entertaining the twists that are going to come while it withholds proper hints about the daring elements in the story.
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There are no distractions in Burning, nothing that would help to temper the undulation of panic and discomfort it animates.
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Everyone pretends to be something that they’re not in the series, especially Dory’s friends.
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“No one else is going to save my life. Right? If I just sit here and diddle around, what am I going to have? Nothing.”
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